A romantic comedy in three acts, Keuka College’s fall theatrical production, The Lady’s Not for Burning is set in the Middle Ages.
Written by Christopher Fry, the play reflects the world’s “exhaustion and despair” following World War II, with a war-weary soldier who wants to die, and an accused witch who wants to live. In form, it resembles Shakespeare’s pastoral comedies.
Directed by Professor of Theatre Mark Wenderlich, The Lady’s Not for Burning opens Friday, Oct. 17. The show begins at 8 p.m. in the Red Barn Theater, with additional performances Saturday, Oct. 18 at 8 p.m., and Sunday, Oct. 19 at 1 p.m. and again at 7 p.m.
“There are some neat angles in this show, as the play is co-produced by the Penn Yan Theatre Co. (PYTCo.), the Division of Humanities and Fine Art, and the Arion Players Drama Club,” said Wenderlich. “Two town people are in the cast, and we also have two alumni and a staff member [in the production].”
Thomas Mendip, a discharged soldier, weary of the world and eager to leave it, comes to small town Cool Clary, announces he has committed murder and demands to be hanged. A philosophical humorist, Thomas is annoyed when the officials oppose his request, even believing he is not guilty of the crime he suggests. Shortly afterward, a young woman, Jennet, is brought before the mayor for witchcraft, but for some strange reason she has no wish to be put to death.
A dark comedy of rare wit and exulted language, Thomas tries, in his own way, to prove to the official how absurd it would be to refuse to hang a man who wants to be hanged, and at the same time to kill a woman who is not only guiltless, but doesn’t want to die. Jennet enjoys the banter, and soon sees the merit in Thomas the man.
The mayor’s family members, clerks and officials gather for an impending wedding and seem to be stuck with the dilemma of two uninvited people—who may or may not be hanged in the morning—who must be included in the pre-nuptial activities.
First produced in England, The Lady’s Not for Burning had a successful run in New York. It has proved, because of its delightful freshness, the dramatic thrust of its poetry, and the sheer high spirits with which the author has endowed his characters, a joy to producer and actor, as well as to the audience.
The New York Herald Tribune called it “a poetic fantasy of rare splendor and delight…a work of magical humor and deep beauty.”
The cast includes Ryan Gillotti (Richard), a senior American Sign Language-English interpreting major from Auburn; Alicia Brown (Alizon Elliot), a senior occupational science major from Kirkwood; Phil Atherlay (Nichols), a junior adolescent English/special education major from Deposit; Jake Banas (Chaplain), a senior English major from Delmar; and Caleigh Alterio ’14 (Jennet Jourdamaine), who is pursuing her degree in occupational therapy.
Justin Krog, program developer for the College’s Office of Information Technology Services (ITS), portrays Tappercoom. Penn Yan resident Brian Cobb ’08, M’11 will return to his alma mater to portray Thomas Mendip in the production. Cobb teaches English at Penn Yan Academy. Logan Ackerly ’14 also returns to his alma mater and will portray Humphrey. Ackerly serves as an installation merchandiser at Hallmark Cards in the Greater New York City Area. John P. Christensen, reporter for the Penn Yan Chronicle Express portrays Hebble Tyson, mayor. Eileen Farrar, a Penn Yan resident who has worked with PYTCo., portrays Margaret.
Amelia Gonnella, a freshman clinical science major from Marcellus, serves as stage manager.
Tickets are $5 for Keuka College students, faculty, staff, and alumni; and $10 for the general public. Seating is limited. Tickets for The Lady’s not for Burning can be purchased in advance on instantseats.com, and are available at the box office.
In the digital age we live in, the Sistine Chapel isn’t farther than a quick Google search away. Photographs of the ceiling there have richer detail than ever before, information about Michelangelo is available at one’s fingertips on a multitude of websites and inside a plethora of books. But is seeing it on a screen or on a page really the same?
Not if you ask Ann Tuttle, professor of management and one of three faculty members who supervised a group Field Period™ to Florence, Venice and Rome the week after Commencement for 16 Keuka College students.
“It’s not the same to read about it as to experience it,” Tuttle said, contrasting the biweekly meetings members of the group held over months of preparation, to learn history, art, culture, and language with the 10 days the group spent in Italy itself.
“Seeing the things we’d learned about for ourselves was so much better and more meaningful than I could have imagined. Immersion in a culture is fulfilling and moving, it helps you to understand there is more out there than what we know,” Tuttle said.
Students and faculty who experienced the wonders of Italy together will share their experiences Monday, Sept. 29 from 5-9 p.m. at the North Education Conference Center, and will also serve refreshments. All members of the college community are invited to come and see the culmination of the trip, much of which was coordinated through Assistant Professor of Education Dr. Denise Love. Last year, Love coordinated a group Field Period™ to Vienna, Prague and the Slovakian cities of Nitra and Bratislava along with Dr. Klaudia Lorinczova, assistant professor of education, and Melissa Newcomb, assistant professor of art. Newcomb returned for this year’s trip, and the group also welcomed Dr. Jean Wannall, professor of occupational therapy, and her husband, Nathan Wannall, who helped serve as group Field Period™ leaders too.
Following the pattern set last year, students again kept online journals and blogs detailing their personal reflections in words and photographs.
“I imagined Michelangelo spending all of his time in there, working on the perfect detail,” wrote Kelsey Harmer ‘15, after visiting the Sistine Chapel. “At first I was a little disappointed that we couldn’t take pictures, but it made me appreciate the artwork so much more.”
For her part, Newcomb said she was “overtaken with emotion looking at a masterpiece I had only seen in a photograph or video. I could have stayed there all day.”
The trip was educational for her too, even as a professor, she said, especially since she has always dreamed about seeing Rome after studying so much art history.
“I can now say I have seen real masterpieces. I can share the experience and passion with my students. I can reach out to students in a different way now that I have walked through Italy. Passion will definitely be present in the classroom,” she explained.
The group was able to experience making real Italian pasta, riding on gondolas in Venice, visiting Pompeii, and enjoying the beautiful waters surrounding Capri. Of course, some experiences don’t always go according to plan. For example, authentic Italian cuisine is entirely different from the Italian-American food most of the students were expecting, as Brittany Gleason ’15 discovered at an Italian restaurant where, under pressure, she ordered pizza with sausage on it.
“A few minutes later they brought out a large pizza with sliced hot dogs on it. So, today I also learned that ‘sausage’ here means our hot dogs,” Gleason wrote.
Guided daily by an Italian native named Mario, both students and chaperones wrote about their newfound love for gelato, Italy’s slightly more intense version of ice cream. While in the city of San Gimignano, the group was able to get gelato at the famous Gelateria di Piazza, which many consider the best in the world.
According to Kayla Hall ’15, they weren’t kidding.
“I thought the other places were good,” Hall wrote. “Did you know that the best way to tell if a gelato is of good quality is to hang it upside down? If it falls off you have a lame gelato, but if it stays on, it is one of the good ones. This one stayed on!”
In addition to its rich history of food and art, Italy is also known for its considerable architectural achievements, dating back to the ruins of ancient Rome. Perhaps best-known is the four-level Coliseum, or Flavian Theater. Built of concrete and stone, the stadium was used for animal fights, staged sea battles, and the famous gladiator matches.
“When you look at the Coliseum today the floor is removed, so you are able to see where the slaves were kept before they came up for battle,” wrote Jenna Bird ’15. “This was pretty surreal to experience because we were able to see exactly where slaves were kept essentially before they were sent to their deaths.”
“Pictures don’t do any place justice, especially when it comes to the scale of architecture,” described Newcomb. “It’s overwhelming but wonderful at the same time. It makes you really appreciate the experience of how something so massive and beautiful was created, how all the tiny details were created by hand. Each part tells a story, and you could study it for days.”
“Even though we saw so much and maximized our time, there could never be enough time,” Tuttle said, “It made me want to go back, to see more someday.”
“I want to say thank you to Keuka College and all of those that have supported group Field Period™, because it is a life-changing and life- enhancing experience,” Tuttle said.
Additional students who participated in the group Field Period™ included Alyssa Ange, Shawnee Brown, Amber Callahan, Marina Kilpatrick, Brittany Kuhn, Brianna Longwell, Brooke Reynolds, Anna Tomasso, Haley Tuttle, Justin Merrill, Lakwan Alleyne-Hall and Ian Wentzel.
Poet Bruce Bennett will read from his works Tuesday, Sept. 23 at 7 p.m. in the Gannett Room of Lightner Library.
Part of the College’s Spotlight Series, the reading is free and open to the public.
Bennett, who serves as professor of English and director of creative writing at Wells College, is the author of nine full-length books of poetry and more than 20 poetry chapbooks. His books include Something Like Karma and Subway Figure. His chapbooks include Visitation and The Holding Stone, and A Girl Like You. His latest book, Swimming in a Watering Can, was published this year.
His New and Selected Poems: Navigating the Distances was chosen by Booklist as “One of the Top 10 Poetry Books of 1999.” Bennett has reviewed contemporary poetry books in The New York Times Book Review, The Nation, Harvard Review, among others, and his poems have appeared widely in literary journals, textbooks, and anthologies. He was awarded a Pushcart Prize for his villanelle, The Thing’s Impossible, which appeared in the fall 2011 issue of Ploughshares.
He received three degrees, including his doctorate, from Harvard University, and taught at Oberlin College from 1967-70. While at Oberlin, Bennett co-founded and served as an editor of Field: Contemporary Poetry and Poetics.
In 1970 he moved to Cambridge, Mass., where he co-founded and served as an editor of Ploughshares. Three years later, he began teaching at Wells College.
During the 1980s and 90s, Bennett served as co-associate editor at Judith Kitchen’s State Street Press in Rochester and Brockport. In 1993, he co-founded the Wells College Book Arts Center and Wells College Press, and served as director of both until 2002. Under his direction, Wells College Press published a number of poetry chapbooks and pamphlets, as well as poems by writers featured in the Wells College Visiting Writers Series.
The Finger Lakes Guitar Quartet will perform at Keuka College Saturday, Sept. 20.
Free and open to the public, the concert begins at 7:30 p.m. in Norton Chapel.
Comprised of Joel Brown, Sten Isachsen, Brett Grigsby, and Paul Quigley, the Finger Lakes Guitar Quartet has performed throughout the United States, Canada, and Europe. Past performances include the Eastman School of Music, Ithaca College Guitar Festival, Skidmore College, and the Sandisfield Arts Center in Sandisfield, Mass.
Brown serves as the chair and senior artist-in-residence of Skidmore College’s music department. His performances as a soloist and chamber musician have included appearances with the Chamber Music Society of Lincoln Center, the Festival of Contemporary Music at Tanglewood, the Saratoga Chamber Music Festival, the Caramoor Festival, and the Killington Festival. Internationally, he has played at the Barbican in London with soprano Dawn Upshaw, in British Columbia at the Music in the Mountains Chamber Music Festival, in the Czech Republic at the Mikulov Guitar Festival as concerto soloist with the Martinu Chamber Orchestra. Notable appearances in the United States include Carnegie Hall with Dawn Upshaw, recitals on both coasts with mezzo-soprano Frederica von Stade, and with the Boston Pops Orchestra. Brown has also performed on NBC’s Today, CNN’s Showbiz Today, on NPR, and on the BBC.
Isachsen, who serves as an instructor of guitar at Schenectady County Community College, has appeared as concerto soloist with the University at Albany Orchestra and the Ithaca College String Quartet. Possessing a bachelor and master of music in guitar performance from Ithaca College, he has studied guitar with Frederick Hand, Ed Flower and Brown. He has also participated in master classes with Manuel Barrueco, Sergio and Odair Assad, and Benjamin Verdery.
Isachsen is also a member of the Musicians of Ma’alwyck, a string trio-in-residence at the Schuyler Mansion, the Cohoes Music Hall, and Schenectady County Community College. In addition to his work as a classical guitarist, Isachsen performs regularly on steel string, and electric guitars, and mandolin, and maintains a private studio in Delmar. Clients include Gibson-endorsed mandolinist Skip Gorman, jazz guitarist George Muscatello, jazz saxophonist Brian Patneaude, Empire Jazz Orchestra, and the Lustre Kings.
Grigsby oversees the guitar department at Skidmore College, and has held faculty positions at Lehigh University, the College of St. Elizabeth, and Kean University. He has performed as both soloist and chamber musician for more than 15 years. Notable performances include solo concerts at the 92nd St. YMCA, St. Patrick’s Cathedral, an all-Bach program at Steinway Hall, and at the esteemed concert series at St. Paul’s Chapel in New York City. As a chamber musician, Grigsby has performed with both his guitar duo, A Piacere, and as a member of various guitar quartets performing at the International Festival Domaine Forget, in conjunction with the National Jazz Ballet Company of Montreal. Grigsby has performed in master class settings for Roberto Aussel, Hubert Kappel, Andrew York, Bruce Holzman, Nigel North, and the Los Angeles Guitar Quartet.
An adjunct instructor of guitar at Schenectady County Community College, Quigley also serves on the faculties the College of Saint Rose and SUNY Adirondack, where he teaches classical and electric guitar. He has performed with the Glens Falls Symphony, the College of Saint Rose Camerata, and at the Saratoga Arts Center Theatre, Shakespeare & Company, and the Oberwald Concert Series in Basel, Switzerland, among others.
Quigley has performed in master classes for Magnus Anderson, Eliot Fisk, David Russell. David Tanenbaum, David Starobin, Luis Zea, and Duo Suonare. Additionally, Quigley was a featured performer on the Queen Elizabeth II World Cruise as well as the Queen Mary II and Crystal Symphony ships.
One senior is fascinated with her family history. Another is focused on finding beauty in any body. And yet another is fixated on beads and jewelry. This trio of artists will showcase signature works during “Mixed Media Minds,” the senior art show at Keuka College’s Lightner Gallery.
Friendship resident Emma Wolf has crafted mixed media collages of her great-grandmother’s family using a typewritten essay, old photos recreated on tracing paper, and a wash of coffee grounds and water to create a vintage look. From collage renderings of parts of the bodies of many women, Kaye Field of Torrington, Conn. has fashioned one body, with a mirror in place of the head. Meanwhile, Ayuko Sakurai of Yokohama, Japan, south of Tokyo, has crafted multiple works with colored beads, jewelry and fabrics.
Each young woman is a visual and verbal art major, and all three will be on hand to greet the public at an artists reception, Thursday, April 24 from 4:30 – 6 p.m. at Lightner Gallery in Lightner Library, where light refreshments will be served. The show continues through May 16.
According to Melissa Newcomb, assistant professor of art, this exhibit features not just three unique styles, but three creative approaches to communicating an idea, emotion or experience, with each artist incorporating pieces of her life experiences
According to Field, body image and the concept of beauty remains an intrinsic struggle for women everywhere and became the subject of her work, “Beautiful Reflections.” She chose to use a variety of media “to depict how no woman and no person is the same. We are all created differently and all of these differences are what make us all beautiful,” she said.
Field said the women who participated in her project came from all over the world and showed their courage and bravery by sending her photos to use as inspiration for the work.
“The mirror is a big part of this piece. Everyone should look in the mirror and be able to smile at their reflection,” Field said.
Wolf, too, could cite courage and bravery of strong women in her family history, such as her great-grandmother, Lula May, and other relatives who survived in regions of Florida where wild, untamed shores and marshes made daily life a struggle. Scattered for display below her mixed media works of Lula May as a child, and later, an aging woman, are knickknacks and small treasures: old-fashioned pocket watches, arrowheads, a large seashell, and an heirloom quilt. A 1938 sepia tint photo shows Lula May as a young mother, standing on a windblown beach, with a child at her feet. Other family members also appear in Wolf’s creations.
“I became avidly interested in their struggle for survival and how they were able to push through and move on to better things, when times got tough for them,” Wolf said. “I wasn’t quite sure what to focus my project on, but writing the essay helped me figure that out.”
Another prominent piece within Wolf’s “Strong Roots” exhibit is a sculpture of a tree rising out of the pages of a book. The work, “Family Tree,” serves as a visual metaphor, she said.
For Sakurai, the intricate work of beading or sculpting jewelry echoes the same multiple dimensions, colors and facets of her personal history, studying abroad beginning at age 15 and traveling to more than 10 countries. One work she will display is a handmade dress designed from egg shells and other unique materials. According to Melissa Newcomb, assistant professor of art, Sakurai has been working on the dress for over a year.
“As I see something, I often find a connection between it and something I remembered [from my travel or study], which gives me a new layer of knowledge,” Sakurai said. “Different objects or ideas are connected through my interpretation. This makes my world muti-colored and multi-faceted, like a well-polished crystal and also stimulates me in combining both traditional and contemporary styles and concepts of art.”
During her January Field Period™ with a jewelry designer, Sakurai handcrafted her own unique gold necklace, and that experience ultimately led her to the Metal and Jewelry graduate program at Rochester Institute of Technology, where she will begin taking courses this fall.
Just this year, Keuka College began offering a new Art and Design program, providing more studio courses to give students opportunities to learn skills in a greater number of mediums. The increased diversity helps students build a portfolio with greater breadth, as well as develop strengths in a particular area, Newcomb said.
“In this case we have three seniors displaying work in multiple mixed mediums, which shows a range of experiences not only in their skills and abilities,” Newcomb said. “It also becomes a very personal but rewarding way to share their story, whether it relates to the past, present or future.”