The Finger Lakes Guitar Quartet will perform at Keuka College Saturday, Sept. 20.
Free and open to the public, the concert begins at 7:30 p.m. in Norton Chapel.
Comprised of Joel Brown, Sten Isachsen, Brett Grigsby, and Paul Quigley, the Finger Lakes Guitar Quartet has performed throughout the United States, Canada, and Europe. Past performances include the Eastman School of Music, Ithaca College Guitar Festival, Skidmore College, and the Sandisfield Arts Center in Sandisfield, Mass.
Brown serves as the chair and senior artist-in-residence of Skidmore College’s music department. His performances as a soloist and chamber musician have included appearances with the Chamber Music Society of Lincoln Center, the Festival of Contemporary Music at Tanglewood, the Saratoga Chamber Music Festival, the Caramoor Festival, and the Killington Festival. Internationally, he has played at the Barbican in London with soprano Dawn Upshaw, in British Columbia at the Music in the Mountains Chamber Music Festival, in the Czech Republic at the Mikulov Guitar Festival as concerto soloist with the Martinu Chamber Orchestra. Notable appearances in the United States include Carnegie Hall with Dawn Upshaw, recitals on both coasts with mezzo-soprano Frederica von Stade, and with the Boston Pops Orchestra. Brown has also performed on NBC’s Today, CNN’s Showbiz Today, on NPR, and on the BBC.
Isachsen, who serves as an instructor of guitar at Schenectady County Community College, has appeared as concerto soloist with the University at Albany Orchestra and the Ithaca College String Quartet. Possessing a bachelor and master of music in guitar performance from Ithaca College, he has studied guitar with Frederick Hand, Ed Flower and Brown. He has also participated in master classes with Manuel Barrueco, Sergio and Odair Assad, and Benjamin Verdery.
Isachsen is also a member of the Musicians of Ma’alwyck, a string trio-in-residence at the Schuyler Mansion, the Cohoes Music Hall, and Schenectady County Community College. In addition to his work as a classical guitarist, Isachsen performs regularly on steel string, and electric guitars, and mandolin, and maintains a private studio in Delmar. Clients include Gibson-endorsed mandolinist Skip Gorman, jazz guitarist George Muscatello, jazz saxophonist Brian Patneaude, Empire Jazz Orchestra, and the Lustre Kings.
Grigsby oversees the guitar department at Skidmore College, and has held faculty positions at Lehigh University, the College of St. Elizabeth, and Kean University. He has performed as both soloist and chamber musician for more than 15 years. Notable performances include solo concerts at the 92nd St. YMCA, St. Patrick’s Cathedral, an all-Bach program at Steinway Hall, and at the esteemed concert series at St. Paul’s Chapel in New York City. As a chamber musician, Grigsby has performed with both his guitar duo, A Piacere, and as a member of various guitar quartets performing at the International Festival Domaine Forget, in conjunction with the National Jazz Ballet Company of Montreal. Grigsby has performed in master class settings for Roberto Aussel, Hubert Kappel, Andrew York, Bruce Holzman, Nigel North, and the Los Angeles Guitar Quartet.
An adjunct instructor of guitar at Schenectady County Community College, Quigley also serves on the faculties the College of Saint Rose and SUNY Adirondack, where he teaches classical and electric guitar. He has performed with the Glens Falls Symphony, the College of Saint Rose Camerata, and at the Saratoga Arts Center Theatre, Shakespeare & Company, and the Oberwald Concert Series in Basel, Switzerland, among others.
Quigley has performed in master classes for Magnus Anderson, Eliot Fisk, David Russell. David Tanenbaum, David Starobin, Luis Zea, and Duo Suonare. Additionally, Quigley was a featured performer on the Queen Elizabeth II World Cruise as well as the Queen Mary II and Crystal Symphony ships.
Poet Bruce Bennett will read from his works Tuesday, Sept. 23 at 7 p.m. in the Gannett Room of Lightner Library.
Part of the College’s Spotlight Series, the reading is free and open to the public.
Bennett, who serves as professor of English and director of creative writing at Wells College, is the author of nine full-length books of poetry and more than 20 poetry chapbooks. His books include Something Like Karma and Subway Figure. His chapbooks include Visitation and The Holding Stone, and A Girl Like You. His latest book, Swimming in a Watering Can, was published this year.
His New and Selected Poems: Navigating the Distances was chosen by Booklist as “One of the Top 10 Poetry Books of 1999.” Bennett has reviewed contemporary poetry books in The New York Times Book Review, The Nation, Harvard Review, among others, and his poems have appeared widely in literary journals, textbooks, and anthologies. He was awarded a Pushcart Prize for his villanelle, The Thing’s Impossible, which appeared in the fall 2011 issue of Ploughshares.
He received three degrees, including his doctorate, from Harvard University, and taught at Oberlin College from 1967-70. While at Oberlin, Bennett co-founded and served as an editor of Field: Contemporary Poetry and Poetics.
In 1970 he moved to Cambridge, Mass., where he co-founded and served as an editor of Ploughshares. Three years later, he began teaching at Wells College.
During the 1980s and 90s, Bennett served as co-associate editor at Judith Kitchen’s State Street Press in Rochester and Brockport. In 1993, he co-founded the Wells College Book Arts Center and Wells College Press, and served as director of both until 2002. Under his direction, Wells College Press published a number of poetry chapbooks and pamphlets, as well as poems by writers featured in the Wells College Visiting Writers Series.
One senior is fascinated with her family history. Another is focused on finding beauty in any body. And yet another is fixated on beads and jewelry. This trio of artists will showcase signature works during “Mixed Media Minds,” the senior art show at Keuka College’s Lightner Gallery.
Friendship resident Emma Wolf has crafted mixed media collages of her great-grandmother’s family using a typewritten essay, old photos recreated on tracing paper, and a wash of coffee grounds and water to create a vintage look. From collage renderings of parts of the bodies of many women, Kaye Field of Torrington, Conn. has fashioned one body, with a mirror in place of the head. Meanwhile, Ayuko Sakurai of Yokohama, Japan, south of Tokyo, has crafted multiple works with colored beads, jewelry and fabrics.
Each young woman is a visual and verbal art major, and all three will be on hand to greet the public at an artists reception, Thursday, April 24 from 4:30 – 6 p.m. at Lightner Gallery in Lightner Library, where light refreshments will be served. The show continues through May 16.
According to Melissa Newcomb, assistant professor of art, this exhibit features not just three unique styles, but three creative approaches to communicating an idea, emotion or experience, with each artist incorporating pieces of her life experiences
According to Field, body image and the concept of beauty remains an intrinsic struggle for women everywhere and became the subject of her work, “Beautiful Reflections.” She chose to use a variety of media “to depict how no woman and no person is the same. We are all created differently and all of these differences are what make us all beautiful,” she said.
Field said the women who participated in her project came from all over the world and showed their courage and bravery by sending her photos to use as inspiration for the work.
“The mirror is a big part of this piece. Everyone should look in the mirror and be able to smile at their reflection,” Field said.
Wolf, too, could cite courage and bravery of strong women in her family history, such as her great-grandmother, Lula May, and other relatives who survived in regions of Florida where wild, untamed shores and marshes made daily life a struggle. Scattered for display below her mixed media works of Lula May as a child, and later, an aging woman, are knickknacks and small treasures: old-fashioned pocket watches, arrowheads, a large seashell, and an heirloom quilt. A 1938 sepia tint photo shows Lula May as a young mother, standing on a windblown beach, with a child at her feet. Other family members also appear in Wolf’s creations.
“I became avidly interested in their struggle for survival and how they were able to push through and move on to better things, when times got tough for them,” Wolf said. “I wasn’t quite sure what to focus my project on, but writing the essay helped me figure that out.”
Another prominent piece within Wolf’s “Strong Roots” exhibit is a sculpture of a tree rising out of the pages of a book. The work, “Family Tree,” serves as a visual metaphor, she said.
For Sakurai, the intricate work of beading or sculpting jewelry echoes the same multiple dimensions, colors and facets of her personal history, studying abroad beginning at age 15 and traveling to more than 10 countries. One work she will display is a handmade dress designed from egg shells and other unique materials. According to Melissa Newcomb, assistant professor of art, Sakurai has been working on the dress for over a year.
“As I see something, I often find a connection between it and something I remembered [from my travel or study], which gives me a new layer of knowledge,” Sakurai said. “Different objects or ideas are connected through my interpretation. This makes my world muti-colored and multi-faceted, like a well-polished crystal and also stimulates me in combining both traditional and contemporary styles and concepts of art.”
During her January Field Period™ with a jewelry designer, Sakurai handcrafted her own unique gold necklace, and that experience ultimately led her to the Metal and Jewelry graduate program at Rochester Institute of Technology, where she will begin taking courses this fall.
Just this year, Keuka College began offering a new Art and Design program, providing more studio courses to give students opportunities to learn skills in a greater number of mediums. The increased diversity helps students build a portfolio with greater breadth, as well as develop strengths in a particular area, Newcomb said.
“In this case we have three seniors displaying work in multiple mixed mediums, which shows a range of experiences not only in their skills and abilities,” Newcomb said. “It also becomes a very personal but rewarding way to share their story, whether it relates to the past, present or future.”
Keuka College’s Spotlight Series will continue with a reading by William Trowbridge, the Poet Laureate of Missouri, Tuesday, April 15.
Free and open to the public, the reading begins at 7 p.m. in the Gannett Room of Lightner Library.
Trowbridge holds a bachelor’s degree in philosophy and a master’s degree in English from the University of Missouri-Columbia and a doctoral degree in English from Vanderbilt University. In April 2012, he was appointed to a two-year term as Poet Laureate of Missouri.
Trowbridge has five collections of poetry, including Ship of Fool, The Complete Book of Kong, Flickers, O Paradise, and Enter Dark Stranger; and three chapbooks including The Packing House Cantata, The Four Seasons, and The Book of Kong.
A Distinguished University Professor Emeritus at Northwest Missouri State University, his poems have appeared in more than 30 anthologies, textbooks, and periodicals including Bouelvard, Colorado Review, Columbia, Crazyhorse, Gettysburg Review, The Georgia Review, New Letters, Poetry, Prairie Schooner, Southern Review, and Tar River Poetry, among others. Two of Trowbridges’s books consist of monologues delivered by King Kong.
Among his awards include an Academy of American Poets Prize, a Pushcart Prize, a Bread Loaf Writers’ Conference scholarship, a Camber Press Poetry Chapbook Award, and fellowships from The MacDowell Colony, Ragdale, Yaddo, and The Anderson Center. Trowbridge served as an editor of The Laurel Review, one of the Midwest’s leading literary journals, for 18 years.
Now living in Lee’s Summit, Mo., Trowbridge teaches in the University of Nebraska low-residency MFA in writing program.
A look at two couples’ recent divorces in 1906 New York City society sets the scene for The New York Idea, the spring theatrical production at Keuka College.
The farce, written by Langdon Mitchell and updated by David Auburn, depicts the comedic entanglements of divorce while mixing in one visiting English lord smitten with the city’s easy way with matrimony.
Directed by Professor of Theatre Mark Wenderlich, The New York Idea opens Thursday, April 10. The show begins at 8 p.m. in the Red Barn Theater, with additional performances Friday, April 11-Saturday, April 12 at 8 p.m., and Sunday, April 13 at 7 p.m.
The plot follows Cynthia Karslake, a freewheeling young divorcee, who decides to settle down again into a much more stable relationship with the prominent Judge Philip Phillimore. Little does she know, however, that neither of their impetuous and unpredictable ex-spouses, nor her beloved race horse Cynthia K, is down for the count.
Cynthia’s impulsiveness has driven her ex-spouse, John, to near financial ruin—and, she fears, into the seductive arms of Vida, Phillimore’s vampish ex-wife. To complicate matters, both Cynthia and Vida find themselves attracted to a visiting English gentleman with a lordly estate and an eye for American beauty. In duly antic course, one couple reunites and one stays divorced, while both the old idea of a socially ‘suitable’ marriage and the superficial new “New York idea”—marry for a whim and leave the rest to the divorce court—get thoroughly kicked around. But will Cynthia and John realize that they truly belong together forever before Cynthia makes it to the altar?
Members of the cast include Kimberley Sweet (Mrs. Phillimore), a freshman adolescent mathematics major from Cuba; Michael Musolino Jr. (Sir Wilfred Cates-Darby), a freshman American Sign Language-English interpreting major from Durhamville; Sierra Lynch (Vida Phillimore), a senior psychology major from Watervliet; Caleigh Alterio (Cynthia Karslake), a senior occupational science major from Akron; Phil Atherlay (Sudley/Fiddler), a sophomore adolescent mathematics education major from Deposit; Alicia Brown (Jacqueline), a junior occupational science major from Kirkwood; and William Staub (Thomas), a freshman adolescent English major from Rochester. Justin Krog, program developer for the College’s Office of Information Technology Services (ITS), portrays Phillip Phillimore. Penn Yan resident Brian Cobb ’08, M’11 will return to his alma mater to portray Matthew Phillimore in the production. Cobb teaches English at Penn Yan Middle School. Pat Fegley, a Geneva resident who has worked with the Pennsylvania Yankee Theater Company (PYTCo), portrays John Karslake.
Members of the crew include Marissa Rogers, a freshman psychology major from Pompton Plains (stage manager); Danica Zielinski, a senior American Sign Language major from Congers (costume designer); Dan Roach (sound designer); and Trish Ralph (lighting designer).
Ralph is chair of the Department of Theatre and Music Studies and an associate professor of theatre at SUNY Brockport, while Roach has worked with the Eastman Opera, Geva Theatre and Downstairs Cabaret Theatre, among others.
The April 10 performance will benefit the cast members’ annual trip to the Kennedy Center American College Theater Festival. All tickets are $7 and will be sold at the door. Tickets for the other three performances are $5 for Keuka College students, faculty, staff, and alumni; and $10 for the general public. Seating is limited.