Keuka College’s Spotlight Series will continue Tuesday, April 7 with a poetry reading by Michael Jennings.
The reading, free and open to the public, begins at 7 p.m. in the Gannett Room of Lightner Library.
Jennings is the author of eight books of poetry, most recently River Time and Bone-Songs and Sanctuaries: New and Selected Poems.
Born in the French Quarter of New Orleans, Jennings grew up in east Texas and the deserts of Iran. He is a graduate of the University of Pennsylvania and was a Fellow in Creative Writing at Syracuse University. He is also an internationally recognized breeder and judge of Siberian Huskies and the author of three books on the breed that are recognized as definitive.
Jennings began writing poems as a way to recapture the Iranian landscape of his childhood and early youth, resulting in a chronicle of a soul’s interaction with the spirits of place, what he calls inner and outer weather.
“My poems are ritual soundings, in the ancient oral tradition, for the bones and colors of experience, which is to say, they are written to be heard—sound paintings, sounded-out stories, and sometimes songs,” said Jennings.
At age 19, Jennings visited the Picasso Retrospective in Paris and was intrigued by his different periods displayed in different rooms. Jennings believes various sections of Bone-Songs and Sanctuaries, are roughly equivalent to different “rooms,” not necessarily chronological but psychically ordered into a kind of plot or journey.
Said Jennings: “I have recorded this rather long work in large part because I believe that the sound in the air is essential to the authentic form of a poem, the ‘body’ that is breath and timing and the movement of the tongue.”
Geoffrey Rosenberger, charter school proponent and managing member of Lily Pond Ventures LLC, and Steven J. Sasson, 35-year Kodak veteran and inventor of the digital camera, will deliver the 27th Annual Carl and Fanny Fribolin Lecture Friday, May 1 at Keuka College.
Rosenberger will speak from 6:30-7:15 p.m. while Sasson will deliver his remarks from 7:15-8 p.m. in Norton Chapel. It is free and open to the public.
The lecture series carries the names of Geneva resident Carl Fribolin, an emeritus member of the College’s Board of Trustees and recipient of an honorary Doctor of Humane Letters degree in 2004, and his late wife, Fanny.
Rosenberger began his career in 1976 as a security analyst and portfolio manager for Manning & Napier Advisors Inc.
In 1984, he co-founded and was managing director of Clover Capital Management, Inc. until his retirement in 2004. The investment management firm which, subsequent to its 2008 sale to Federated Investors, is now known as Federated Clover Investment Advisors.
Rosenberger earned a bachelor’s degree in economics and an MBA from the University of Kentucky, and is a Chartered Financial Analyst (CFA), which he received from the CFA Institute, formerly Association for Investment Management & Research (AIMR).
Rosenberger serves on several boards of directors in the Rochester area including the Broadstone Net Lease (REIT), where he also serves as lead independent director; Broadtree Homes; SiMPore Inc.; Vnomics Corp.; True North Rochester Preparatory Charter School; Greater Rochester Health Foundation; Holy Sepulchre Cemetery; and is an advisory board member for the Greater Rochester Chapter of the American Red Cross.
Rosenberger also serves as chair of the Dean’s Advisory Council for the Gatton College of Business & Economics at the University of Kentucky. In 1996, Rosenberger was a congressional candidate for New York state’s 28th Congressional District.
Joining Kodak in 1973, Sasson worked as an individual contributor in the Kodak Apparatus Division research laboratories and engaged in a number of early digital imaging projects. Among these was the design and construction of the first digital still camera and playback system, as well as the first mega pixel digital camera utilizing DCT compression that stored images to flash memory cards.
Throughout the 1980s and 1990s, Sasson served in a variety of positions, including development manager of output systems for Kodak’s Professional Products organization, which developed and introduced a number of groundbreaking products—including two families of thermal printers that provided the output engines for large kiosk placements. He also served as the chief engineer on the “Colorease” printer project, which produced Kodak’s first high volume page size thermal printer, and the development manager for the emerging thermal printing platform within Kodak.
In 2001, he transitioned to the position of R&D development manager for the Retail Photofinishing Platform. Three years later, Sasson moved to Corporate Commercial Affairs (CCA) where he served as the project manager for a major intellectual property litigation, and testified at a number of International Trade Commission litigation hearings on behalf of Kodak. He continued to work in the Intellectual Property Transactions (IPT) group at Kodak until his retirement in February 2009.
Sasson graduated from Rensselaer Polytechnic Institute where he earned both his bachelor’s and master’s degrees in electrical engineering. He has been publicized in “Thirty Years of Digital Photography Development at Eastman Kodak Company,” from the Society for Imaging Science and Technology (IS&T) International Symposium on Technologies for Digital Fulfillment in 2007.
He has earned numerous awards including the Eastman Innovation Award; Progress Award from the Photographic Society of America; Visionary Award from the Photographic Manufacturers and Distributors Association; the Economist Magazine Consumer Products Innovation Award; Professional Photographers Association (PPA) Technology Impact Award; George R. Stibitz Computer & Communications Pioneer Award (American Computer Museum); and the Stevens Institute of Technology Honor Award.
Sasson has also received recognition from around the globe, including praise from England’s Royal Photographic Society, earning both the Progress Medal and Hurter and Driffield Lecture Medal. He has also earned the Distinguished Scholar, School of Journalism & Communication from Peking University (China), Culture Award of the Photographic Society of Germany; as well as His Highness Sheikh Salem Al Ali Sabah Informatics Badge of Honor from the State of Kuwait.
Sasson has received honorary degrees from the University of Rochester and Rensselaer Polytechnic Institute, and has been inducted into the Consumer Electronics Hall of Fame, the National Inventors Hall of Fame, Rensselaer Polytechnic Institute Hall of Fame, Rochester Institute of Technology Center for Imaging Science Hall of Fame, and the Brooklyn Technical High School Hall of Fame.
He is also the recipient of the Davies Medal for Engineering Achievement (Rensselaer Polytechnic Institute), Rochester Intellectual Property Law Association Distinguished Inventor of the Year, and earned the National Medal of Technology and Innovation.
Currently, Sasson is an independent intellectual property consultant in the field of digital imaging.
The annual spring Student Art Show at Keuka College returns next week to the Lightner Gallery and the variety and depth of creativity and expression in the pieces installed has Assistant Professor of Art Melissa Newcomb excited to share them with the public.
“I can’t wait for the students to show off what they’ve been working on in Allen Hall,” she said, referring to the campus building housing the art program classrooms and studios. “There is some really powerful work. Every year, these students are raising the bar in the quality of work they create, and it’s incredible to see what is happening in classes now that we have 20 students enrolled in the Art & Design major.”
The exhibit features students showcasing a variety of photography, illustrations, mixed media, ceramics, sculpture, drawing and design created in this year’s art classes and will run from March 9 through April 12 with an artists’ reception to be held 4:30 – 6 p.m. Thursday, March 12. Light refreshments will be served and guests will be able to browse the walls and pedestals of the Lightner Gallery in Lightner Library to hearts’ content.
If Prof. Newcomb is thrilled with the students’ work, the pride and enthusiasm from the students involved is even more palpable.
“The student show is an incredible way for students to show off their creativity, hard work, and talent, and I am always amazed when I see the artwork,” said Bridgette Fletcher ’15, who is exhibiting three portraits from her 11-part “Reflection” series, and an abstract image. Her inspiration for the series stemmed from recent campaigns about women’s perceptions of beauty and how they interpret what they see reflected in the mirror.
“I was incredibly proud of how the portraits turned out and I am honored to have them displayed in the student show,” Bridgette added.
In a different twist on reflections, one assignment in the digital photography course required students to take a self-portrait, but portray themselves in a different way than others usually see them. Art & Design major Kayla Medina ’17 took that opportunity to show sides of herself others don’t usually see.
“I decided to show my artistic and serious side, because many people know me as funny, goofy, laid back, and always smiling,” Kayla said.
Bringing others closer to the artists through their work is something that excites Lauren Esposito ’15, who is exhibiting photographs taken during the fall digital photography course.
“Creating art is such an incredible and intimate process; it allows for the individual to relax, express, create, and reflect,” said Lauren. “It’s even more incredible to see the work from others. We have so many talented students here at Keuka College and without the variety of art courses, most of that talent would be unknown.”
That principle is even more poignant for Lauren, who said art courses have introduced her to new people who have become some of her closest friends. As a senior, most of her academic hours are spent with the same few students pursuing the same degree (organizational communication), but art courses add a new dynamic, she said.
“I’ve also learned to communicate in an entirely new way through the variety of pieces I created in Foundations of Art and Design to Graphic Design to Digital Photography- which was my favorite art course,” Lauren said. Reigniting her passion for images even pushed her to conduct a photography Field Period™, she said, adding that it was the favorite of the four she has completed as a senior.
Other works from other courses, including ceramics (taught by Faith Benedict, adjunct professor of art), sculpture (taught by Sam Castner), graphic design, mixed media and drawing and painting will highlight the depths of creativity and artistic expression coming to the forefront around campus. According to Marina Kilpatrick ’16, having Prof. Newcomb select one of your pieces for the student show is always a great feeling, as is the energy generated when students, professors and other guests come together at the artists’ reception.
The show itself provides “a fantastic opportunity for art majors and minors to get to see their work displayed because it gives them that confident boost that many may need. I know that’s what it did for me,” Kayla added. “Ms. Newcomb has put a LOT of work into this show, and I know the show will be a hit. I’m so excited to see everyone’s work up and on display.”
A boat whose style hearkens back to the time of the Vikings, more than 1,000 years ago, is finding new life on Keuka Lake. Through a community craftsmanship program offered in the spring of 2014, Keuka College students and local residents had a hand – literally – in bringing the boat to life.
The 22-foot-long beauty now on display in Lightner Gallery in Lightner Library at Keuka College, boats a gleaming royal blue hull, with crisp white and wood interiors. Members of the public are invited to join those from the campus community at a celebration reception, to be held from 4:30 – 6 p.m. Tuesday, Nov. 11. Light refreshments will be served. A showcase of images, ship-building terms, and historic attributes will guide guests through a visual timeline of the build. This special exhibit will continue through April 10.
Built by hand over six months on the campus of Keuka College, the St. Ayles skiff is a modern re-crafting of a boat first designed by the Vikings, circa 800 A.D., then imported from Norway to the Shetland Islands during the 1800s. The Shetland Islands lie halfway between Norway and Scotland, and these skiffs originally served as fishing boats along treacherous tidal areas in the North Sea. According to folklore, three men at the oars of the skiff were sure to reach their destination no matter the weather.
Now, thanks to a resurgence of community rowing and crafting programs worldwide since 2009, its popularity reaches far beyond its origin, and builds for some 200 of these historic boats are in the works. Hull 93, a reference to the 93rd such build, was commissioned by the Finger Lakes Museum & Aquarium, with support from Keuka College. Grant funding provided through NYS Council on the Arts and the Yates Community Endowment Fund made it possible for three College students to join community members during the build.
Each Saturday, participants gathered in the College garage near the facilities plant to work on the watercraft, under the direction of Keuka Park resident Craig Hohm, a retired ER physician, who guided the labor of taking the skiff from wood kit to watercraft. When nearly complete, final touches were added, including a Viking-like lettering of the boat’s name along the top plank of the boat, known as the sheerstrake. Named for the animal who returned to the Finger Lakes region after a 100-year absence, the Otter had its maiden launch on Keuka Lake in August.
Panashe Matambanadzo, a native of Zimbabwe and a junior environmental science major spent four weekends last semester helping to glue segments together to create the base of the boat and crafting the old-fashioned oars.
“It was a great learning process,” she said with a smile. “Where I come from, only [boat] guides would do such work.”
Sophomore Eric Yax, a native of Guatemala, also participated in the craftsmanship program and said he felt welcomed as Hohm shared his boat-building expertise. While Yax recently switched his major from environmental science to political science, he enjoys projects involving nature and the outdoors.
The build was “very interesting,” Yax said, expressing gratitude for a new experience through hands-on learning. “There is nothing better than learning by doing.”
For his part, Hohm is thrilled more members of the community can see and experience the results of the unique collaborative building project through the exhibit.
“It’s hard to improve on a near-perfect design that’s almost 1,000 years old,” Hohm said.
During the public reception, any students who are interested in opportunities for a possible rowing program utilizing the Otter will be able to sign up to receive more information as the collaboration between the College and Museum continues.
After studying like mad for a doctoral test at Eastman School of Music, jazz trumpeter Dave Chisholm decided he needed a new outlet for his creative energy. So he spent February through December of 2013 writing and illustrating a 204-page graphic novel. Then he set its seven chapters to music – composing a full-length soundtrack of seven songs to pair with it.
Now, 26 panels from this book, “Instrumental,” will be displayed in a gallery exhibit for his one-man show, “Music Meets Comics,” which runs October 27 – December 5 at Lightner Gallery in Lightner Library. An artist reception where light refreshments will be served will be held Thursday, Oct. 30 from 4:30-6 p.m. Earlier that week, Chisholm will also host a comics workshop at 7:30 p.m. Tuesday, Oct. 28 on the second floor of Allen Hall. The exhibit and workshop will serve as a teaser for a coming spring semester course Chisholm will teach as a visiting professor at Keuka College.
“Anytime you do a class like this, people may think ‘How would I draw Batman?’ but really we’re telling stories in pictures and words. In reality, comics are just a medium for telling any story,” Chisholm said.
For many, superheroes serve as the initial gateway into comics, Chisholm said, describing his early interest as a child in the pulp iconography of familiar favorites of the genre. But it didn’t take long for him to move from interest in the superheroes to those drawing the superheroes, to think about their process and how they might think about translating a narrative idea to a 22-page series of drawings with words.
With three degrees in music, including a doctorate in jazz trumpet, Chisholm says his day job is “all things music, with comics thrown in.” In addition to trumpet, he also plays guitar, piano, bass and drums and sings, too. He teaches music lessons and is also an adjunct music instructor at Keuka College. He toured the Western U.S. with a rock band in the years between his bachelor’s and master’s degrees, and some of his adventures became part of his first graphic novel, “Let’s Go to Utah” which he described as “inspired by the craziness of touring … where it’s all spread out and you drive through the desert for hours and hours and kind of lose your mind a bit.”
Come spring, Chisholm will be running a full-semester, three-credit course through the Division of Humanities and Fine Arts on comics. Students will explore hands-on the detailed work of traditional ink-on-paper comic book creation. According to Chisholm, the course will cover the finer points of comic book panel composition, page composition, working with scripts, lettering, and character/environment design. The overarching goal of the entire course is training students in clear, communicative, sequential storytelling, he said.
“I’m interested in the mechanics of comics, meaning, how do you pace a story over eight pages? How do you put it together?” Chisholm said, describing a potential panel sequence where a man finds a key lying on the ground, uses it to open a nearby door, and a lion jumps out at him.
“Is the key important? Is the man important? Will we show reactions on his face, or are we using words to show what he’s thinking? It becomes this incredibly rigorous intellectual exercise to communicate any idea or narrative in comics form. It has almost infinite possibilities and that’s inspiring to me,” he said.
Another example he cites is the work “A.D.: New Orleans After the Deluge” by Josh Neufeld which documents life and times in New Orleans following Hurricane Katrina.
“He did research, went down several times and kept in touch with people and he happened to tell this story in the medium of comics as opposed to a novel or documentary,” Chisholm explained.
If students were to follow elements of Chisholm’s approach of integrating music into comics, they might start with an exercise of illustrating lyrics, he said, citing Queen’s iconic “Bohemian Rhapsody” as example.
“So if the lyrics state: ‘Mama, just killed a man/Put a gun against his head/Pulled my trigger, now he’s dead,’ how do we show this? Is he on the phone with his mom, calling from prison, telling her this stuff? Is it told in flashback?” Chisholm asked.
By the time the course concludes next May, students will each have written and/or drawn 24 character sketches, 24 environment sketches, a 1-panel strip, a 1-page comic, and a 2-3-page comic “book” for the final project, he said. All final project comic books will share a similar theme and will be printed in a collective anthology by the end of the semester.
For more information on registering for the course, students can contact the registrar’s office or visit http://registrar.keuka.edu