A trio of seniors are presenting their final art projects – a closer look at their personal journeys – in an exhibit on display April 29-May 24 at Keuka College’s Lightner Gallery.
The Senior Art Show showcases the talents of Erik Holmes of Penn Yan, Courtney French (Massena), and Erica Ruscio (Middlesex). An artists’ reception will be held from 4:30-6 p.m. Tuesday, April 30 at the gallery in Lightner Library. Light refreshments will be served and the event is free and open to the public. The exhibit runs through May 24.The gallery is open during Lightner Library hours, whichcan be found online at: http://lightner.keuka.edu.
According to Melissa Newcomb, assistant professor of art and adviser to the student artists, each one had to prepare an artist’s statement, along with a “thesis” of sorts, representing the culmination of work produced over their time as a student. Throughout this semester, they met weekly for senior art seminar, she said, and from those talks, a group consensus emerged: everybody’s grown.
This group has some of the strongest raw talent of students Newcomb has mentored during her four years at Keuka, she said.
According to Ruscio, the trio named the exhibit “EXPEERIENCE” because it’s “all about our experiences and we hope that people can see that by peering a little closer.”
“There are also a lot of eyes and faces, so we just thought it was a catchy title,” Ruscio added. (more…)
Prismacolor butterflies. Black and white typography. Cupcakes and dandelions, in triplicate. Colored-pencil portraits. A powerful pink-and-orange sunset. A ship sailing off on a sea of cotton.
These are some of the works featured in the Keuka College student art show, running through April 18 in the Lightner Gallery, with additional works on display on the fourth floor of Hegeman Hall.
The gallery, located in Lightner Library, is open during regular library hours, which vary during the academic semester, but can be found online at: http://library.keuka.edu
The exhibit will featured drawings, paintings, sculpture, mixed media, and photography from the hands of freshmen, sophomores, and juniors, as well as a few seniors who are non-art majors.
Senior Ashley Larimore and others enrolled in the new graphic design course offered this spring have debuted typography collections in the show. Larimore said that although she does not major in art, she loves drawing and painting, and “couldn’t wait” to add the new course to her schedule so that she could build more design skills working with Adobe software.
“The experience I gained working in Adobe Illustrator after the first project is incredible. I’ve really enjoyed overcoming the challenge of creating art through a screen using a mouse, rather than my hands,” Larimore said. “Every time I see my finished product, I have to remind myself it’s my work.”
According to Melissa Newcomb, assistant professor of art, the submissions for this student show are “the best yet” in her four years teaching at Keuka.
“I say every time, ‘It’s the best show yet,’ and it seems to get better every year,” Newcomb said. “The quality is just great.”
The majority of pieces surround drawing and photography works from the Drawing I & II and digital photography courses held in the fall. In addition, works from last spring’s Painting I course, and mixed media pieces from a general-education course, Foundations of Art and Design, as well as Sculpture I & II, which were both offered this spring, appear in the show.
Junior Stephanie Collins, an occupational therapy major, said she could relate a lot of the material she learned in art education class to art therapy. The show features a series of colorful butterflies Collins created using colored pencils.
“I’ve never really used them for a project before so it was really cool to see how bright I could get the colors,” Collins said. “This class lets me explore different materials like crayons and colored pencils that I wouldn’t be able to use on other projects. It teaches me how to incorporate art into things I never would have thought of before.”
According to Collins, the student works in the show tell her a key point about Keuka: “I am impressed with all of the talent at the school!”
The student show will be followed by Keuka’s senior show, which will feature capstone works from six seniors majoring in visual and verbal arts.
By day, Penn Yan resident Carol Sackett manages the circulation desk at Lightner Library, a post she has held for 32 years. But through March 7, visitors to Keuka College can glimpse a different side of her, as seen in three oil paintings gracing the walls of Lightner Gallery.
Sackett’s paintings are on display alongside numerous other works from members of Keuka’s faculty and staff, whose job titles may not necessarily disclose the individuals as creative “artists-in-residence.”
Beyond 9 to 5: The Hidden Talents of Keuka’s Faculty and Staff runs through March 7 in Lightner Gallery,located in Lightner Library. It features a range of artistic mediums, including painting, photography, ceramics, glass work, digital art, and film. More than 20 faculty and staff members submitted work for the show, including President Jorge L. Díaz-Herrera.
During a special artists’ reception – open to the public – Thursday, Feb. 21 from 4:30 – 6 p.m., the exhibit will also feature select culinary art from four members of the faculty and staff. The exhibit remains open daily during library hours, available online at: http://lightner.keuka.edu
Like many artists, Kurt Bownell has to balance the commercial with the personal.
The Victor resident is a commercial photographer with a Rochester studio and a client list that includes such corporations as Wegmans, Constellation Brands, Democrat and Chronicle, Unity Health and several universities. The clients commission Brownell for everything from beauty shots of growers, produce and culinary arts to corporate executives in their workplace environments.
His day job keeps him so busy that his personal photographic love – outdoor landscapes – often happens on the fly, such as when he snapped shots of the rolling hills of Cohocton on a pit stop as his family returned from a vacation.
Perhaps that’s why Brownell’s new exhibit at Keuka College, “Up Close and Far Away-Landscapes,” is such a treat for him. The exhibit runs through Jan. 4, with an artist reception Thursday, Nov. 29 from 4:30 – 6 p.m. at Lightner Gallery inside Lightner Library. The exhibit is open to the public; library hours vary and can be found online at: http://lightner.keuka.edu.
“This is what I like to do when I’m not being told what to photograph,” he said. “This is what I gravitate toward naturally. I can go without any agenda and shoot what I feel, what I like, what I find.”
Many of his images, which he refers to as “interpretive landscapes,” are “stitched” composites of 10-20 different shots, melded together to create one final, full panorama for the viewer.
As an artist for nearly 30 years, Debra Fisher shares stories – but she shares them in visual narratives, not necessarily written ones.
Among her many multimedia creations are trifold and quad-fold “books,” which can feature any number of colors, drawings, prints, and other artistic details inspired or culled from the pages of her life. Several of Fisher’s “books” and a massive installation work she calls The Waning October Moon are currently on display through Nov. 8 at Keuka College.
The title of the large work is also the title of the exhibit that is featured in the Lightner Gallery, housed in Lightner Library. An artist reception will be held Tuesday, Oct. 23, from 4:30- 6 p.m. Both the reception and exhibit are free and open to the public.
A few years ago, Fisher spent four months in the hospital, and it was not a pleasant experience.
“They poke and prod and pull you apart,” said the Spencerport resident who leveraged the experience and turned it into “The Predator Series,” a collection of prints of animals in attack mode. Each print features an inset of images from the classic cookbook “The Joy of Cooking,” which she considers humorous takes on Mother Nature and what people do for food sources.
“Man being preyed upon is the bottom line for that [work,] and myself – the object of investigation,” said Fisher, who has taught printmaking, multimedia and drawing for 13 years at SUNY Brockport. Other prints, drawings, and multimedia creations are also featured in the show.
It took two days for Fisher to complete the installation of her signature work in the gallery, and visitors will see a wash of antiqued yellow painted directly on the gallery walls, on which she has displayed three-dimensional objects, including 10 individual prints – of a boy, a boat, birds, and more. Each print was created when Fisher etched the selected work onto copper plates, then inked them. Prints were then mounted on wooden frames with hand-marbled paper around the edges, lacquered in a thin coat of beeswax.
Fisher calls herself a fan of the alternative print-making process. In addition to copper plating, she teaches gum prints, inking, and stamping. Stamps are part of the signature installation, and across the walls of the installation, visitors will see hand-stamped leaves and scarabs, the term for a dung beetle that some in the Egyptian culture believed offered good luck, or a sign of safe passage to the afterlife. Perhaps creating a feel as if entering a room, the installation also features a pair of women’s shoes from the 1940s rested atop a small ,three-dimensional staircase, mantel ledges mounted on the walls, and drapings of coffee-colored fabric swaths with prints of birds in flight.
“It’s déjà vu, the sense you’ve been somewhere before, lived this way, the ebb and flow of life situations and experiences you may have,” Fisher said, adding that even the imperfections of the gallery wall, with its nooks and crannies, fit the essence of her work.
Some of the images of the 10 prints contained within Fisher’s installation are replicas of idyllic landscape images from a print created between 1700 and 1800. Others have been culled from old books, perhaps those with engravings, or from nature. Another print, of a couple’s hands, was pulled from a famous work, “The Wedding,” by Jan Van Eyck, she said.
The Keuka exhibition is the second time Fisher has installed her signature work, and she enjoys discovering how it evolves each time it is recreated.
“The installation is ongoing … and I [already] have ideas for the next time. I have some really large bee etchings that will be mounted on thick cardboard and hovering above the wall. I will also include an elaborately framed etching of a dung beetle,” she said, noting she may add a print of her mother to the work. “One response I had from a fellow printmaker and artist was: ‘This could go on forever – you could work on this your whole life.’”
Visitors to the show will have the opportunity to purchase handmade sketchbooks Fisher has created. The covers are crafted with prints from the exhibition and the sketchbooks feature an exposed spine with coptic bindings (ie: chain-stitched by hand). These handmade creations are available for $25.
The gallery is open during library hours, which can be found at: http://lightner.keuka.edu.
Start with a science lab. Add one chemistry professor with self-described “wacky interests.” Introduce a visual and verbal art major once obsessed with rocks, especially the minerals that glow under ultraviolet light. Mix up a variety of chemistry experiments under special lights and have the student capture them on camera. What do you get?
The Art of Chemistry, a year-long discovery in pictures of the beauty and form caused –and sometimes concocted – with a variety of chemical compounds. The art exhibit runs through Sept. 28 in Lightner Gallery inside Lightner Library at Keuka College, where an artist reception will be held from 4:30 – 6 p.m. Thursday, September 20. The gallery is open daily; hours can be found on the main page at: http://lightner.keuka.edu
Student photographer Kat Andonucci, a junior from Chestertown, near the Lake George region, did a year-long independent study under the guidance of Andy Robak, associate professor of chemistry. With Robak casting the vision and directing her in each experiment, Andonucci crafted the composition, often using a tripod, a remote shutter and a long exposure to create the images. For example, one image of Robak pouring a luminol solution into a narrow-mouth beaker required the shutter remain open for 15 seconds or more to showcase the intense blues and greens of the liquid.
“Everything we did had to be something visually appealing,” explained Andonucci, describing how the independent study served as her chemistry class for the year.
“I’ve owned my camera since ninth grade, and as a side hobby, I did landscapes and outdoor pictures,” Andonucci said, explaining how she entered college as a biology major, thinking she would pursue a career in forensic pathology. But a film photography course in her first semester got her thinking her high school hobby might turn out to be more than just something to do on the side. So she switched her major to visual and verbal art.
Enter Robak, who contacted Melissa Newcomb, assistant professor of art, last year in search of a student who could help illustrate experiments that would show “the fun side of chemistry.”
“I’ve always been interested in chemistry as art or science as art. You can see from the pictures that a lot of stuff I work with is really cool,” said Robak, who holds a Ph.D. in organic chemistry. He rattled off a variety of compounds, from mercury, with its shiny metallic texture that is “really fun to play with,” to flourescein, which turns neon-green when in contact with water, to glycerol, which refracts light in a way that seems to make objects submersed in it disappear. Images of each of those chemicals appear in the exhibit.
“We wanted to treat as a course, the chemistry of things that are neat to look at, to have a clue what they were,” Robak said, pointing out how many science textbooks use photography to illustrate experiments. The two received a $500 grant from Keuka’s Division of Academic Affairs to help cover costs of printing and framing the images.
For her part, Andonucci said she was “excited and nervous” because shooting under such unusual conditions was outside of her comfort zone with natural, outdoor lighting. Indeed, lighting was the biggest challenge as she would sometimes use a window, a lamp, black lights, or would incorporate the light generated from a chemical itself in different images.
A secondary challenge was the blink-and-miss-it nature of some of the experiments, such as a shot of flames from methane gas bubbles leaping upward from the hand of Erik Holmes, a senior visual and verbal art major.
Andonucci had to be sure to take several shots of each experiment, capturing several on camera by conducting experiments several times in a row. For another image, Robak directed her to bring glycerol, a liquid, into contact with purple potassium permanganate, a solid, which bursts into purple flames and smoke without any introduction of heat, he said.
“Kat worked on that one for a long time. She tried about 20 times and probably took 150 photographs of the same thing in order to get it right,” Robak said. It’s a good thing she shot in digital, because she kept filling up the camera’s memory card every time, he added.
“More than anything, I think she had a really good eye for these sorts of things. She takes a great picture, but out of many, many pictures that she got, she was great at picking out the right ones,” Robak said.
After a year of translating her chemistry class into images, Andonucci said she would be willing to work with Robak again on similar projects. She is considering posting her images online to see if she could market them to companies for commercial use.
“There’s so much you can do with forensic photography,” she said, adding that she’s “pretty open to anything [with photography], as long as it’s not taking pictures of people.”
Robak managed to convince Holmes to paint a graffiti mural on a concrete wall last year. The mural illustrated the chemical structure of concrete itself, and Robak said he has ideas for other special projects involving science and other types of art, whether sculpture, painting or more.
“I’ve got too many ideas and not enough artists,” Robak said. “I’m totally looking for more people to rope into these kinds of things.”
Summing up her year-long experiment and the exhibit, Andonucci said “it’s awesome, it’s pretty and it’s cool. I had fun and learned a ton.”
When viewing the pen-and-ink mural that Melissa Newcomb created of the Rochester city skyline and the arched bridge spanning the Genesee River, you might need to take a few steps back.
That’s because the canvas is approximately 6 feet tall and 8 feet wide, perhaps a salute to the visual dominance the bridge itself maintains against the city’s skyscrapers and corporate construction. But the work also invites one to step closer to examine the intricacy of the lines, columns, window panes, and step back again to take it all in.
The piece captures a view of the city skyline as seen from a spot southwest of the Frederick Douglass – Susan B. Anthony Memorial Bridge (formerly the Troup-Howell bridge), along the Genesee. It is already getting attention from clients who visit the offices of Marathon Engineering at 39 Cascade Drive, said John Stapleton, business manager.
“We had a back wall that was pretty bare and thought, ‘Wouldn’t it be cool to have something to put up?’” he said.
Where can a Keuka degree take you? This is the third in a series of snapshot profiles on members of Keuka’s Class of 2012.
Nicole Groth ’12 graduated cum laude with a degree in visual and verbal art and conducted three Keuka Field Period internships in Cornelius, N.C., where she is now living and working.
Her first Field Period internship, in January 2010, was at the Cornelius, N.C. animal shelter. Groth’s own rescue dog, Jazi, adopted when she was a senior in high school, melted her heart for other animals in the same plight, so the Field Period was a natural fit for her passion. Over spring break in her senior year of college, she returned to the North Carolina facility and shot black and white film photographs of the shelter dogs playing before breakfast. The images ultimately became part of her senior art project, a life-size metal cage with black and white photos of shelter dogs on the inside and full-color paintings of dogs rescued and adopted into homes on the outside.
While she continues to volunteer Sunday mornings feeding and walking the animals, marketing the facility, and attending adoption events, the two internships she conducted in summer 2011 and January 2012 at the nearby Cornelius Arts Center, turned into paid positions. The arts building is home to the non-profit Community Arts Project, where Groth now teaches art classes, workshops, classes for adults, and summer camp courses.
In addition, Groth also works as a recreations program assistant for the Town of Cornelius Parks, Arts, Recreation and Culture department, housed in the same building. Work there includes registering students for classes, completing reports, and running the front desk.
In the meantime, she has applied to show her artwork next spring in the Cornelius Arts Center Gallery, which attracts many local artists. She has also applied for entry to an October arts festival.
Amidst starting a new chapter of life, Groth said she misses the Keuka campus, where among her many learning experiences were responsibilities as a resident assistant.
“I have used the skills I gained through those [R.A.] experiences so much since graduation, and am grateful for those opportunities,” she said.
To explore what might be in your future with a Keuka degree, request more information.
Red, black and white clothing designs fashioned out of more recycled goods than just fabric. A giant animal cage adorned with photos and paintings of rescue dogs, with a door allowing a person to step inside. A bronzed sculpture of a hawk, wings stretched out before it takes flight.
All three art projects are the work of a trio of graduating seniors at Keuka College and can be seen as part of the student art show, which runs through May 30 in Lightner Gallery, and also features additional works by underclassmen. And all three seniors are clear that their respective artwork makes a statement they want others to “hear.”
With her collection of red, black and white dresses, Crystal Cochell of Trumansburg is protesting in color and form the waste she observes in the environments around her, especially corporations. Nicole Groth of Henrietta showcases her work with humane societies through black and white photos of puppies playing in the yard of an animal shelter and color paintings of dogs adopted into families she knows, including her own. And Stephanie Lange of Apalachin is eager to invite interaction from the public — students, faculty and visiting community members — with the bronze installation she hopes might become the first of several sculptures to adorn the campus. (more…)