After studying like mad for a doctoral test at Eastman School of Music, jazz trumpeter Dave Chisholm decided he needed a new outlet for his creative energy. So he spent February through December of 2013 writing and illustrating a 204-page graphic novel. Then he set its seven chapters to music – composing a full-length soundtrack of seven songs to pair with it.
Now, 26 panels from this book, “Instrumental,” will be displayed in a gallery exhibit for his one-man show, “Music Meets Comics,” which runs October 27 – December 5 at Lightner Gallery in Lightner Library. An artist reception where light refreshments will be served will be held Thursday, Oct. 30 from 4:30-6 p.m. Earlier that week, Chisholm will also host a comics workshop at 7:30 p.m. Tuesday, Oct. 28 on the second floor of Allen Hall. The exhibit and workshop will serve as a teaser for a coming spring semester course Chisholm will teach as a visiting professor at Keuka College.
“Anytime you do a class like this, people may think ‘How would I draw Batman?’ but really we’re telling stories in pictures and words. In reality, comics are just a medium for telling any story,” Chisholm said.
For many, superheroes serve as the initial gateway into comics, Chisholm said, describing his early interest as a child in the pulp iconography of familiar favorites of the genre. But it didn’t take long for him to move from interest in the superheroes to those drawing the superheroes, to think about their process and how they might think about translating a narrative idea to a 22-page series of drawings with words.
With three degrees in music, including a doctorate in jazz trumpet, Chisholm says his day job is “all things music, with comics thrown in.” In addition to trumpet, he also plays guitar, piano, bass and drums and sings, too. He teaches music lessons and is also an adjunct music instructor at Keuka College. He toured the Western U.S. with a rock band in the years between his bachelor’s and master’s degrees, and some of his adventures became part of his first graphic novel, “Let’s Go to Utah” which he described as “inspired by the craziness of touring … where it’s all spread out and you drive through the desert for hours and hours and kind of lose your mind a bit.”
Come spring, Chisholm will be running a full-semester, three-credit course through the Division of Humanities and Fine Arts on comics. Students will explore hands-on the detailed work of traditional ink-on-paper comic book creation. According to Chisholm, the course will cover the finer points of comic book panel composition, page composition, working with scripts, lettering, and character/environment design. The overarching goal of the entire course is training students in clear, communicative, sequential storytelling, he said.
“I’m interested in the mechanics of comics, meaning, how do you pace a story over eight pages? How do you put it together?” Chisholm said, describing a potential panel sequence where a man finds a key lying on the ground, uses it to open a nearby door, and a lion jumps out at him.
“Is the key important? Is the man important? Will we show reactions on his face, or are we using words to show what he’s thinking? It becomes this incredibly rigorous intellectual exercise to communicate any idea or narrative in comics form. It has almost infinite possibilities and that’s inspiring to me,” he said.
Another example he cites is the work “A.D.: New Orleans After the Deluge” by Josh Neufeld which documents life and times in New Orleans following Hurricane Katrina.
“He did research, went down several times and kept in touch with people and he happened to tell this story in the medium of comics as opposed to a novel or documentary,” Chisholm explained.
If students were to follow elements of Chisholm’s approach of integrating music into comics, they might start with an exercise of illustrating lyrics, he said, citing Queen’s iconic “Bohemian Rhapsody” as example.
“So if the lyrics state: ‘Mama, just killed a man/Put a gun against his head/Pulled my trigger, now he’s dead,’ how do we show this? Is he on the phone with his mom, calling from prison, telling her this stuff? Is it told in flashback?” Chisholm asked.
By the time the course concludes next May, students will each have written and/or drawn 24 character sketches, 24 environment sketches, a 1-panel strip, a 1-page comic, and a 2-3-page comic “book” for the final project, he said. All final project comic books will share a similar theme and will be printed in a collective anthology by the end of the semester.
For more information on registering for the course, students can contact the registrar’s office or visit http://registrar.keuka.edu
Look out, Harry Potter. The debut of a recent book in the fifth-grade classroom of Terry Test ’73 in Penn Yan Elementary School could be poised to rival old standbys on the summer reading list. At least if Test’s students have anything to say about it.
Each of Test’s students received a copy of the book, “Who is Penn Yan?” Wednesday, hand-delivered by Dr. Jennie Joiner, assistant professor of English at Keuka College. Late last fall, the 17 students in Joiner’s “Literature in the Wider World” course paired up with 17 fifth-graders Test and teaching partner Rebecca Morse selected from their shared class. For three weeks, College “authors” met one-on-one with schoolchildren to craft a personal story from the child’s perspective. Each three-page story – part of the final project in Joiner’s class – was bound into the special edition keepsake for all participants. Based on the buzz around the classroom, it was quite a hit.
Most students started by flipping through the book searching for a photo of themselves with their “author.” Or they scanned the story titles until they found the one with their name, or more specifically, the name of the character they had chosen for themselves for the story project. Then it was on with the read, until –
“Did you see mine? I still have to read yours!” exclaimed “Miranda,” jumping up from her desk and crossing the room to her friend “Charlotte,” just to point out a particular page. Similar excitement bubbled up around the room as other students eagerly pored over pages, flipping and pointing their own finds to classmates seated nearby.
“It’s fun to watch them all reading so intently,” Joiner said, pausing at the desks of several girls to ask if they’d seen page 45 yet, where a stuffed monkey belonging to “Maddie” made it into the photos.
“The story is really good – he did a really good job,” “Mikie” said of his author, junior Devon Locher, who crafted his tale of an aspiring college scientist-baseball player. “I think I want to read it a million times.”
At another desk, “Allison” was raving over the zombie story written for her by freshman Sabrina Androvett, pointing out their photo together and praising Androvett’s “very graphic descriptions.”
“She even made it kind of funny, like putting in a detail about one of my dogs chewing on the corpse’s bones,” said Allison, alluding to the other-worldly aspects of the story.
Indeed, among the advice Test’s students gave Joiner for how to approach the project next fall with a new crop of college and elementary students was “use your imagination.”
According to Test, the College authors did great work capturing what each fifth-grader tried to describe and using that to guide the plot each child tried to present in his or her story.
“In reading these, I can hear the fifth-grade voice and I can also feel the Keuka author’s interpretation,” said Test. “It was valuable for the fifth-graders to see how stories are the outcome of ideas.”
By crafting a story through collaboration, the project enabled each college student to learn more about Penn Yan through the eyes or imagination of each child. But beyond that, it served to highlight how literature is the doorway to community, culture, society and more – part of the overall goals for the introductory English course itself.
Peppered with story titles including “Butch’s Greatest Adventure,” “The Amazing Annabeth,” and “Miranda Saves the Day,” the book of personal stories seems poised to be saved and cherished by each of its starring characters. Hunched over his desk, poring through the pages of the story Devon Errigo wrote about him, “Rico” had big plans to share the book with his family at home.
“I’m gonna tell my parents that a kid from Keuka College made it and he gave me details and I gave him details and we put a story together,” Rico said.
Seated nearby, “Miranda” had similar enthusiasm and praise for the story written by her author, Tiffany Scott.
“I love this!” she gushed. “I love the details she put into it, and that it’s exactly the same way I wanted it to be.”
“Butch,” a fifth-grader at Penn Yan Elementary School, didn’t like reading.
But thanks to a three-week partner project where Keuka College students met one-on-one with schoolchildren to craft a personal story from the child’s perspective, it wasn’t long before he changed his mind. So says Butch’s new buddy and personal “author,” Keuka freshman Will Staub.
“Butch told me the first day he didn’t like reading, then the next week he showed me this book he’d read,” Staub described. In truth, it was more like Butch raced to Staub’s side, book in hand, thrusting it into view and leaning forward in eager anticipation for the response.
Watching the interaction – and others like it across 17 such pairs of college and elementary students – were Dr. Jennie Joiner, assistant professor of English at Keuka, and fifth-grade teacher Terry Test, herself a 1973 Keuka graduate. The two teamed together, with support from elementary principal Edward Foote, to enable the collegiate “authors” to craft a three-page story from the perspective of each child selected from the joint classroom Test shares with team teacher Rebecca Morse.
The project, dubbed “Who is Penn Yan?,” was the final assignment for Joiner’s Literature in the Wider World course, a new introductory English course in Keuka’s general education curriculum. The course was designed to highlight the focus the English program is placing on literature as the doorway to culture, society, community and more. Over the course of three weeks, each college student spent time getting to know his or her child, and ultimately, learning more about Penn Yan through the child’s eyes or imagination.
The fifth-graders all chose character names for themselves and wore name tags to each session, where partners paired up, using whatever chairs, tables, floor space, gym mats, or window ledges were available to continue their conversations.
“Look at the dynamics of this,” Test said, gesturing around the room at the pairs. “The ‘I’m too cool to do this’ vibe just shattered in the first second, and my students are real, being true to themselves. The energy is here on all sides. I’m so impressed at Dr. Joiner’s scaffolding of this.”
To say the children were thrilled would be an understatement. Some brought sketches, notebooks, origami, and more to share with their college author during the second and third sessions. A handful of boys could be seen half out of their seats, leaning forward to dialogue with their authors, while other children were seated more casually, body positions mimicking the college students taking detailed notes.
Watching from a few steps away each week, Test and Joiner were almost as excited as their students at the energy generated during the interactions, and the impact it had on student learning. By the end of the first week’s session, when alerting everyone in the room that only two minutes were left on the clock, Joiner said she could tell the project was en route to success.
“Every student – big and little – turned around and went ‘awww’ in disappointment,” Joiner said. “Some of my students who are not as vocal in class totally engaged with the children. It was just a cool thing.”
Test said the impact on her fifth-graders was almost immediate. (more…)
Editor’s Note: This is the second in a two-part series of Q&As with new, full-time faculty members.
Kevin Murphy of Elmira, assistant professor of social work, is teaching traditional and ASAP courses this fall, including Social Welfare Policy and Service I & II, Ethics and Diversity in Social Work, and Generalist Social Work Practice I. Come spring, he is scheduled to teach Group Processes I & II, Social Work Research Methods, Generalist Social Work Practice I & II, and Social Welfare Policy & Service I.
Last book read: Dr. Sleep, by Stephen King.
Favorite quote: Non decor deco (Latin for “I am not led, I lead.”)
If you could be a fictional character, who would you be and why? No one. I like my real life too much.
What makes teaching fun? Seeing the passion the students bring to the table, and being privileged enough to be a part of their transformational journey.
What do you do for fun? Time with the wife and kids, campfires in my backyard on weekends, reading, writing, and obstacle course racing.
Guadalupe Morales-Gotsch, visiting assistant professor of Spanish, is teaching Intercultural Studies, Introduction to Spanish, Spanish for Communication, and Latin American Short Stories.
Last book read: Antifragile: Things that Gain from Disorder, by Nassim Nicholas Taleb.
Favorite quote: “It is the supreme art of the teacher to awaken joy in creative expression and knowledge,” by Albert Einstein.
If you could be a fictional character, who would you be and why? Dora the Explorer, because she loves to engage herself with new friends and situations, making the best of those situations and her new friends.
What makes teaching fun? Students and their desire to learn.
What do you do for fun? Travel, meet new people and learn about their culture, reading for pleasure
Nicholas Koberstein, instructor of child and family studies, teaches Introduction to Human Development, Development in Middle Childhood, and Psychology of Adulthood and the Aging.
Last book read: Go Dog Go, by P.D. Eastman. My daughter, Harper and son, Wyatt, read every night before bedtime. Go Dog Go is a great book that helps them develop skills in language, learn colors, numbers, and orientations, all with some subtle humor. It is a mainstay on our bedtime bookshelf.
Favorite quote: “My most brilliant achievement was my ability to be able to persuade my wife to marry me,” by Winston Churchill. My wife, Kristen, is the cornerstone of our family. I have never met a more gorgeous, intelligent, kind-hearted, and hard-working woman.
If you could be a fictional character, who would you be and why? Indiana Jones, the ultimate renaissance man. If nothing more than to have some flashy, three-piece tweed suits. Jones lives a fascinating life of exploration and adventure. He always escapes danger and fights for what is right and just.
What makes teaching fun? Influence. To make a positive change in a student’s life or to teach them something that changes their world view. Learning is an experience that is more than the information that is taught in the classroom. It is a culture that is co-created and shared by the students. Every new class is a different than the last.
What do you do for fun? I love to explore with my family. Every weekend my family and I try to experience something new. Since we moved to the area in August from Connecticut, there is plenty of exploring to do.
Betty Morris-Mitchell, Assistant Professor of Social Work in the Accelerated Studies for Adults (ASAP) program, is teaching Social Work Practice III (SWK 351) & Social Welfare Policy & Services II (SWK 401).
Last book read: The Good Dream by Donna VanLiere
Favorite quote: Character is found in how you treat people who can’t do anything for you.
If you could be a fictional character, who would you be, and why?: I would be Ivorie from the book, The Good Dream. Ivorie, a single woman, rescues and raises an abused young child despite talk and opposition from members of the community.
What makes teaching fun: Helping students achieve their God-given dreams; helping them to understand that they were created to soar.
What do you do for fun? I read. I enjoy reading fiction, non-fiction, self-improvement books, and biographies. I also write short-stories when I have the time.
In 1967, theorist Marshall McLuhan published his classic work with its signature theme “the medium is the message.”
Artists Liz Brownell of Victor and Barron Naegel of Rochester see compelling parallels in their own exhibit, which uses a first-generation iPad to introduce viewers to a fusion of old and new technologies and new approaches to art and work.
The exhibit, Reconfiguring Another Way, runs through March 2 at Lightner Gallery in Lightner Library, with an artists’ reception, open to the public, scheduled Thursday, Feb. 23, from 4:15-6 p.m. The exhibit features many of Naegel’s limited-palette drawings and Brownell’s layered mixed-media designs alongside their signature creation: PORTOISE.
Last year, Naegel and Brownell received a $500 “SOS” grant, or special opportunity stipend, funded through New York State’s Council on the Arts (NYSCA), to purchase a first-generation iPad and other art supplies used in creation of PORTOISE, which is taken from the words “portal” and “tortoise.”
The three-foot wide sculpture, resembling a sea tortoise, houses the iPad, which is programmed with a variety of apps and artistic works conceived by Naegel and Brownell.
“The whole thing is a portal to another dimension of creativity and working,” Naegel explained, “a tongue-in-cheek nod to an old version of silica (clay). New technology is heavily based in ways of working with silica.”