If members of Keuka’s Class of 2013 are looking for inspiration as they enter the job market, they should check out Stephanie Lange, who was in their shoes just a year ago.
In her time at Keuka, Lange ’12 of Apalachin made quite a mark. While completing a double major in visual and verbal art and organizational communication, Lange helped found and lead an intellectual exploration group known as Tabula Rasa, worked as the graphic designer for the student newspaper, and completed a bronze sculpture installation of a red-tailed hawk as her senior art project.
Now she’s venturing into new ground in the arts, and landed what she calls her “dream job.”
In late January, Lange started work as the program coordinator for the Schweinfurth Arts Center in Auburn. She is now directing a two-week annual conference, “Quilting by the Lake,” for the non-profit in addition to helping promote the Arts Center’s five annual exhibits, communicating with corporate sponsors, and producing and designing the center’s newsletters and other marketing materials.
The annual quilt show convention, held each July on the campus of Onondaga Community College near Syracuse, features more than 30 quilting-related classes and lectures, a quilt show and specialty vendors. According to Lange, while traditional quilting styles and methods are featured, there is a focus on modern quilting techniques involving painting on the fabric and elements of geometry, all of which creates an artistic quality.
“It’s not like something my grandma does,” Lange said. “The precision required for quilting is difficult to master.”
Like others, Lange had been forewarned to expect great challenge finding a salaried, full-time position in the arts field and said that awareness had her raving to her family that this opportunity was amazing. Not only does she help stage exhibits – some in the same measurements she learned as a student assisting with shows in Keuka’s Lightner Gallery – but she can participate in art classes hosted by the Center, as well as meet artists and local residents through Schweinfurth’s special events. (more…)
As an artist for nearly 30 years, Debra Fisher shares stories – but she shares them in visual narratives, not necessarily written ones.
Among her many multimedia creations are trifold and quad-fold “books,” which can feature any number of colors, drawings, prints, and other artistic details inspired or culled from the pages of her life. Several of Fisher’s “books” and a massive installation work she calls The Waning October Moon are currently on display through Nov. 8 at Keuka College.
The title of the large work is also the title of the exhibit that is featured in the Lightner Gallery, housed in Lightner Library. An artist reception will be held Tuesday, Oct. 23, from 4:30- 6 p.m. Both the reception and exhibit are free and open to the public.
A few years ago, Fisher spent four months in the hospital, and it was not a pleasant experience.
“They poke and prod and pull you apart,” said the Spencerport resident who leveraged the experience and turned it into “The Predator Series,” a collection of prints of animals in attack mode. Each print features an inset of images from the classic cookbook “The Joy of Cooking,” which she considers humorous takes on Mother Nature and what people do for food sources.
“Man being preyed upon is the bottom line for that [work,] and myself – the object of investigation,” said Fisher, who has taught printmaking, multimedia and drawing for 13 years at SUNY Brockport. Other prints, drawings, and multimedia creations are also featured in the show.
It took two days for Fisher to complete the installation of her signature work in the gallery, and visitors will see a wash of antiqued yellow painted directly on the gallery walls, on which she has displayed three-dimensional objects, including 10 individual prints – of a boy, a boat, birds, and more. Each print was created when Fisher etched the selected work onto copper plates, then inked them. Prints were then mounted on wooden frames with hand-marbled paper around the edges, lacquered in a thin coat of beeswax.
Fisher calls herself a fan of the alternative print-making process. In addition to copper plating, she teaches gum prints, inking, and stamping. Stamps are part of the signature installation, and across the walls of the installation, visitors will see hand-stamped leaves and scarabs, the term for a dung beetle that some in the Egyptian culture believed offered good luck, or a sign of safe passage to the afterlife. Perhaps creating a feel as if entering a room, the installation also features a pair of women’s shoes from the 1940s rested atop a small ,three-dimensional staircase, mantel ledges mounted on the walls, and drapings of coffee-colored fabric swaths with prints of birds in flight.
“It’s déjà vu, the sense you’ve been somewhere before, lived this way, the ebb and flow of life situations and experiences you may have,” Fisher said, adding that even the imperfections of the gallery wall, with its nooks and crannies, fit the essence of her work.
Some of the images of the 10 prints contained within Fisher’s installation are replicas of idyllic landscape images from a print created between 1700 and 1800. Others have been culled from old books, perhaps those with engravings, or from nature. Another print, of a couple’s hands, was pulled from a famous work, “The Wedding,” by Jan Van Eyck, she said.
The Keuka exhibition is the second time Fisher has installed her signature work, and she enjoys discovering how it evolves each time it is recreated.
“The installation is ongoing … and I [already] have ideas for the next time. I have some really large bee etchings that will be mounted on thick cardboard and hovering above the wall. I will also include an elaborately framed etching of a dung beetle,” she said, noting she may add a print of her mother to the work. “One response I had from a fellow printmaker and artist was: ‘This could go on forever – you could work on this your whole life.’”
Visitors to the show will have the opportunity to purchase handmade sketchbooks Fisher has created. The covers are crafted with prints from the exhibition and the sketchbooks feature an exposed spine with coptic bindings (ie: chain-stitched by hand). These handmade creations are available for $25.
The gallery is open during library hours, which can be found at: http://lightner.keuka.edu.
Red, black and white clothing designs fashioned out of more recycled goods than just fabric. A giant animal cage adorned with photos and paintings of rescue dogs, with a door allowing a person to step inside. A bronzed sculpture of a hawk, wings stretched out before it takes flight.
All three art projects are the work of a trio of graduating seniors at Keuka College and can be seen as part of the student art show, which runs through May 30 in Lightner Gallery, and also features additional works by underclassmen. And all three seniors are clear that their respective artwork makes a statement they want others to “hear.”
With her collection of red, black and white dresses, Crystal Cochell of Trumansburg is protesting in color and form the waste she observes in the environments around her, especially corporations. Nicole Groth of Henrietta showcases her work with humane societies through black and white photos of puppies playing in the yard of an animal shelter and color paintings of dogs adopted into families she knows, including her own. And Stephanie Lange of Apalachin is eager to invite interaction from the public — students, faculty and visiting community members — with the bronze installation she hopes might become the first of several sculptures to adorn the campus. (more…)
Colorful, two-sided pyramids dotting the lawn between Allen Hall and Strong Hall. An oversized wire spider scaling a tree outside Jephson Science Center. A giant pen in the College colors scrawling out “lightner library” on a wall inside the building, while nearby, brightly colored paper origami birds dangle from the ceiling in symmetrical “V” formations.
These are final projects for Keuka students taking Sculpture I or II from Melissa Newcomb, assistant professor of art. Known as an “installation,” each of the large-scale pieces, some crafted by students working solo and some working in pairs, were placed in different locations around campus, to brighten buildings, hallways, stairwells, lawns and elsewhere to raise the profile of the art program. Some of the installations, like the giant pens inside the library, will be permanent. Others will be on display through the end of the semester.
Students in the class trekked across campus Tuesday and Thursday to survey each other’s work. Questions and comments popped up from different ones as each installation was discussed and students shared their design techniques, the cost to build each piece, and the amount of time invested.