Keuka College’s Spotlight Series will continue with a reading by William Trowbridge, the Poet Laureate of Missouri, Tuesday, April 15.
Free and open to the public, the reading begins at 7 p.m. in the Gannett Room of Lightner Library.
Trowbridge holds a bachelor’s degree in philosophy and a master’s degree in English from the University of Missouri-Columbia and a doctoral degree in English from Vanderbilt University. In April 2012, he was appointed to a two-year term as Poet Laureate of Missouri.
Trowbridge has five collections of poetry, including Ship of Fool, The Complete Book of Kong, Flickers, O Paradise, and Enter Dark Stranger; and three chapbooks including The Packing House Cantata, The Four Seasons, and The Book of Kong.
A Distinguished University Professor Emeritus at Northwest Missouri State University, his poems have appeared in more than 30 anthologies, textbooks, and periodicals including Bouelvard, Colorado Review, Columbia, Crazyhorse, Gettysburg Review, The Georgia Review, New Letters, Poetry, Prairie Schooner, Southern Review, and Tar River Poetry, among others. Two of Trowbridges’s books consist of monologues delivered by King Kong.
Among his awards include an Academy of American Poets Prize, a Pushcart Prize, a Bread Loaf Writers’ Conference scholarship, a Camber Press Poetry Chapbook Award, and fellowships from The MacDowell Colony, Ragdale, Yaddo, and The Anderson Center. Trowbridge served as an editor of The Laurel Review, one of the Midwest’s leading literary journals, for 18 years.
Now living in Lee’s Summit, Mo., Trowbridge teaches in the University of Nebraska low-residency MFA in writing program.
The imaginary county in Mississippi that William Faulkner fashioned to serve as the foundation for his fiction will come to vivid, online life in a new digital humanities project involving some two dozen Faulkner scholars from around the country – including Dr. Jennie Joiner, assistant professor of English at Keuka College.
“Dr. Joiner’s participation in this important and prestigious digital humanities project promises to raise Keuka’s profile significantly in the field of digital scholarship,” said Doug Richards, professor of English and chair of the Division of Humanities and Fine Arts.
Over the next three to five years, Faulkner scholars will collaborate to translate the characters, timelines, dialogue and events of his short stories and novels into interactive online maps that help readers visualize and glean new insights into Faulkner’s works. According to Joiner, Faulkner himself drew a map of Yoknapatawpha indicating locations and events portrayed in his stories.
“He considered it his little postage stamp of native soil of which he was sole owner and proprietor. Thus, this project is attempting to digitalize his fiction and expand on his mapping,” Joiner explained.
Stephen Railton, professor of English at the University of Virginia, is directing the project and invited Joiner to come aboard in late August. This fall Joiner will team with Taylor Hagood, associate professor of English at Florida Atlantic University, to map a short story “The Unvanquished” (later revised and known as “Riposte in Tertio”), first published in The Saturday Evening Post as part of a 1934 series. Joiner and Hagood are facing a year-end deadline to finish digital mapping of the short story and then, Joiner will be assigned to a team mapping one of Faulkner’s 15 novels.
The project, which received a nearly $60,000 grant from the National Endowment for the Humanities (NEH), builds upon a 2011 Yoknapatawpha map prototype created by the University of Virginia Library’s Digital Media Lab. The NEH grant was one of 23 awarded through its start-up program to promote progress in the digital humanities. Back in 1957-58, Faulkner held the university’s first writer-in-residence post, so the current online archive includes nearly 30 hours of audio recordings of public readings or remarks he gave, according to a news article from the Virginia website.
According to the website, the project centers on the 15 novels and 48 stories Faulkner wrote between 1926 and 1960 and set in Yoknapatawpha. The prototype models a way to enter every character, location and event from separate works into a robust database that then maps that data into an atlas of interactive visual resources, according to the demands of each particular story. Ultimately, the entire body of Yoknapatawpha fiction would be linked together in new, cumulative maps enabling scholars or students to study, for example, all black inhabitants and the roles they play in Faulkner’s works, or his representations of violence, religion, or family, the site indicates. (more…)
A trio of seniors are presenting their final art projects – a closer look at their personal journeys – in an exhibit on display April 29-May 24 at Keuka College’s Lightner Gallery.
The Senior Art Show showcases the talents of Erik Holmes of Penn Yan, Courtney French (Massena), and Erica Ruscio (Middlesex). An artists’ reception will be held from 4:30-6 p.m. Tuesday, April 30 at the gallery in Lightner Library. Light refreshments will be served and the event is free and open to the public. The exhibit runs through May 24.The gallery is open during Lightner Library hours, whichcan be found online at: http://lightner.keuka.edu.
According to Melissa Newcomb, assistant professor of art and adviser to the student artists, each one had to prepare an artist’s statement, along with a “thesis” of sorts, representing the culmination of work produced over their time as a student. Throughout this semester, they met weekly for senior art seminar, she said, and from those talks, a group consensus emerged: everybody’s grown.
This group has some of the strongest raw talent of students Newcomb has mentored during her four years at Keuka, she said.
According to Ruscio, the trio named the exhibit “EXPEERIENCE” because it’s “all about our experiences and we hope that people can see that by peering a little closer.”
“There are also a lot of eyes and faces, so we just thought it was a catchy title,” Ruscio added. (more…)
Like many artists, Kurt Bownell has to balance the commercial with the personal.
The Victor resident is a commercial photographer with a Rochester studio and a client list that includes such corporations as Wegmans, Constellation Brands, Democrat and Chronicle, Unity Health and several universities. The clients commission Brownell for everything from beauty shots of growers, produce and culinary arts to corporate executives in their workplace environments.
His day job keeps him so busy that his personal photographic love – outdoor landscapes – often happens on the fly, such as when he snapped shots of the rolling hills of Cohocton on a pit stop as his family returned from a vacation.
Perhaps that’s why Brownell’s new exhibit at Keuka College, “Up Close and Far Away-Landscapes,” is such a treat for him. The exhibit runs through Jan. 4, with an artist reception Thursday, Nov. 29 from 4:30 – 6 p.m. at Lightner Gallery inside Lightner Library. The exhibit is open to the public; library hours vary and can be found online at: http://lightner.keuka.edu.
“This is what I like to do when I’m not being told what to photograph,” he said. “This is what I gravitate toward naturally. I can go without any agenda and shoot what I feel, what I like, what I find.”
Many of his images, which he refers to as “interpretive landscapes,” are “stitched” composites of 10-20 different shots, melded together to create one final, full panorama for the viewer.
As an artist for nearly 30 years, Debra Fisher shares stories – but she shares them in visual narratives, not necessarily written ones.
Among her many multimedia creations are trifold and quad-fold “books,” which can feature any number of colors, drawings, prints, and other artistic details inspired or culled from the pages of her life. Several of Fisher’s “books” and a massive installation work she calls The Waning October Moon are currently on display through Nov. 8 at Keuka College.
The title of the large work is also the title of the exhibit that is featured in the Lightner Gallery, housed in Lightner Library. An artist reception will be held Tuesday, Oct. 23, from 4:30- 6 p.m. Both the reception and exhibit are free and open to the public.
A few years ago, Fisher spent four months in the hospital, and it was not a pleasant experience.
“They poke and prod and pull you apart,” said the Spencerport resident who leveraged the experience and turned it into “The Predator Series,” a collection of prints of animals in attack mode. Each print features an inset of images from the classic cookbook “The Joy of Cooking,” which she considers humorous takes on Mother Nature and what people do for food sources.
“Man being preyed upon is the bottom line for that [work,] and myself – the object of investigation,” said Fisher, who has taught printmaking, multimedia and drawing for 13 years at SUNY Brockport. Other prints, drawings, and multimedia creations are also featured in the show.
It took two days for Fisher to complete the installation of her signature work in the gallery, and visitors will see a wash of antiqued yellow painted directly on the gallery walls, on which she has displayed three-dimensional objects, including 10 individual prints – of a boy, a boat, birds, and more. Each print was created when Fisher etched the selected work onto copper plates, then inked them. Prints were then mounted on wooden frames with hand-marbled paper around the edges, lacquered in a thin coat of beeswax.
Fisher calls herself a fan of the alternative print-making process. In addition to copper plating, she teaches gum prints, inking, and stamping. Stamps are part of the signature installation, and across the walls of the installation, visitors will see hand-stamped leaves and scarabs, the term for a dung beetle that some in the Egyptian culture believed offered good luck, or a sign of safe passage to the afterlife. Perhaps creating a feel as if entering a room, the installation also features a pair of women’s shoes from the 1940s rested atop a small ,three-dimensional staircase, mantel ledges mounted on the walls, and drapings of coffee-colored fabric swaths with prints of birds in flight.
“It’s déjà vu, the sense you’ve been somewhere before, lived this way, the ebb and flow of life situations and experiences you may have,” Fisher said, adding that even the imperfections of the gallery wall, with its nooks and crannies, fit the essence of her work.
Some of the images of the 10 prints contained within Fisher’s installation are replicas of idyllic landscape images from a print created between 1700 and 1800. Others have been culled from old books, perhaps those with engravings, or from nature. Another print, of a couple’s hands, was pulled from a famous work, “The Wedding,” by Jan Van Eyck, she said.
The Keuka exhibition is the second time Fisher has installed her signature work, and she enjoys discovering how it evolves each time it is recreated.
“The installation is ongoing … and I [already] have ideas for the next time. I have some really large bee etchings that will be mounted on thick cardboard and hovering above the wall. I will also include an elaborately framed etching of a dung beetle,” she said, noting she may add a print of her mother to the work. “One response I had from a fellow printmaker and artist was: ‘This could go on forever – you could work on this your whole life.’”
Visitors to the show will have the opportunity to purchase handmade sketchbooks Fisher has created. The covers are crafted with prints from the exhibition and the sketchbooks feature an exposed spine with coptic bindings (ie: chain-stitched by hand). These handmade creations are available for $25.
The gallery is open during library hours, which can be found at: http://lightner.keuka.edu.
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